Blog : Articles

Meditative, Lyric, Useful: Two New Books on Writing

By Marcia Meier   |  November 5, 2021
From Michigan and Milkweed come two new books about writing, personal explorations on self, identity, and nonfiction form.

The Weight of Grief Goes Round and Round

By Penny Guisinger   |  October 1, 2021
Tarn Wilson’s memoir in essays, In Praise of Inadequate Gifts, has things to teach us about unusual topics.

Noticing as Rebellion, as Resistance

By Emily Dillon   |  September 10, 2021
In his new book, Diary of a Young Naturalist, McAnulty, who is seventeen and lives with autism, writes autobiographically about environmental conservation and activism.

We Don't Know Their Names. But We Know Their Character.

By Katy Major   |  August 13, 2021
David Lazar’s latest collection, The Celeste Holm Syndrome: On Character Actors from Hollywood’s Golden Age, is an artfully attuned set of essays that analyzes the delightful nuances of cinema’s Golden Age and the author’s love of its movies.

Big Ideas in Bite-Sized Essays

By Rebekah Hoffer   |  July 2, 2021
Jason Schwartzman’s first book, No One You Know, contains sixty-two essays—many of them just a few paragraphs long—in a concise 155 pages. Each tiny essay in this fragmented collection illustrates a brief, memorable interaction with a stranger, creating the effect of a photo collage.

We Might As Well Die Laughing

By David MacWilliams   |  June 4, 2021
John Rember’s essay collection is both delightful and depressing. The ten essays, each divided into ten segments (thus, the “hundred little pieces”), flesh out his perspective as our civilization and its natural environment crumbles.

Essays All: However We Decide to Collect Them

By Beth Alvarado   |  May 4, 2021
When I was sending out an early version of my manuscript, Anxious Attachments (2019), several agents, who were all interested in the book, asked me to revise it so it would be a “memoir in essays” and not an essay collection, as I thought of the book.

Exorcising, Freeing, and Healing Trauma

By Krystal Sierra   |  April 2, 2021
Extreme. That’s one way to describe David Tromblay’s As You Were. Another way is horrific. A memoir that speaks to American Indian art, culture, history, and tradition, is not this one. Instead, Tromblay’s is a discovery of self only after he has lived to tell the tale, centering his trauma and survival as explicit indicators of his character.

Next Stop, Middle-Aged Fatherhood

By Cyndie Zikmund   |  March 2, 2021
Franklin, the author of another University of Nebraska collection, My Wife Wants You to Know I’m Happily Married, is the father of three boys and is about to turn forty. He has challenges teaching his children how to become good men while he struggles with more global concerns such as social injustice, the meaning of life, and the American mythologies we impart to our children.

The People We Once Were

By Mark Neely   |  February 5, 2021
At the heart of Alysia Li Ying Sawchyn’s impressive debut is the moment when, after being found by her mother in a state of distress, she winds up, at eighteen, in a locked hospital ward and is diagnosed with bipolar disorder.

Meditative Naturalist, Intimate Essayist, Visionary Author

By Robert Root   |  January 8, 2021
I began reading the essays of Scott Russell Sanders when I encountered “The Inheritance of Tools” in The Best American Essays 1987. I’ve collected his books of essays ever since and, as a life-long resident of Great Lakes states, have felt a strong sense of identification with works like Secrets of the Universe, Staying Put: Making a Home in a Restless World, Writing From the Center, and Hunting for Hope: A Father’s Journeys.

Reckoning with Not-Knowing

By Joanna Eleftheriou   |  December 2, 2020
Two wonderfully readable recent books probe the authors’ past losses in order to reimagine their and our futures. Dispatches from the End of Ice by Beth Peterson and The Memory Eaters by Elizabeth Kadetsky look towards Norway, France, and the influence Northern Europe has long had on American thought.

What It Means to Bless

By Debbie Hagan   |  November 2, 2020
In 1959, twelve-year-old Orr rises early with his three brothers, heads to the field with their father. They shoot their rifles and kill a deer. Just as they celebrate, Orr’s gun goes off again, this time killing his eight-year-old brother, Peter.

The Cadence of an Individual Heartbeat

By Tarn Wilson   |  October 2, 2020
“I’ve always been a hungry reader,” Rebecca McClanahan writes in her newest collection In the Key of New York. Me too. And I often read as I eat: I gobble. But, as with certain transcendent meals, there are books that, from the first page, ask that I slow down and savor: hold the book carefully, turn the pages mindfully. McClanahan’s memoir-in-essays is just such a book. As I read, I found myself asking what qualities define writing that both enlivens and stills the reader.

Bathing (Again) at 9600 Feet

By Jill Christman   |  September 2, 2020
Slow Arrow: Unearthing the Frail Children has a sub-subtitle that appears only on the title page: Essays from 9600 feet, an ascension to yet another layer, so Winograd. I will begin at that altitude, in the Colorado cabin Winograd built with her husband Leonard—who features frequently in these pages as voice of reason, asker of crucial questions (“Where are the bees?”), cracker of jokes, watcher of sky, and bearer of arachnid mercy in the form of an oft-used spider jar.

Relighting the Candle

By Renée E. D’Aoust   |  August 3, 2020
In Sonja Livingston’s The Virgin of Prince Street: Expeditions into Devotion, the author is drawn to explore her youth in the Catholic Church. She longs to return to the intertwined experience of childhood and faith when the two were inseparable.

How to Save Yourself in Nine Steps

By Deborah L. Hall   |  July 9, 2020
I was so immersed in Judith Sara Gelt’s memoir Reckless Steps Toward Sanity about her life growing up in a Denver neighborhood in the 1960s and 1970s that I kept entering a time warp. It’s not fair to Gelt’s story that my own memories of living during the same era kept flashing through. Gelt sent my senses hurdling back in time with the mention of TV shows or magazines, filling my head with jingles and laugh tracks and the sound of Stevie Wonder’s voice.

Haunted by Sandy Hook

By Joy Gaines-Friedler   |  June 3, 2020
Carol Ann Davis’s collection of nine essays is a memoir, a treatise on aesthetic expression, and a philosophical journey through the aftermath of what was, in 2012, the deadliest school shooting in American history. Her son Willem, seven at the time, was at Hawley Elementary, one mile away from Sandy Hook Elementary School in Newtown, Connecticut.

Kevin Honold Wins 2019 River Teeth Book Prize

May 12, 2020
We are thrilled to announce that Kevin Honold is the winner of this year’s River Teeth Literary Nonfiction Book Prize. His winning manuscript, The Rock Cycle, will be published by the University of New Mexico Press in Spring 2021.

Scholar’s Sensibility, Poet’s Eye

By Robert Root   |  May 1, 2020
Since 1926 the John Burroughs Association has awarded its medal to nature writers, many of whom I’ve heard of (Carson, Eiseley, Zwinger, Leopold, Lopez, and McPhee for starters) and many others I haven’t but might want to look up. Having read both Sightlines and Surfacing, her 2019 collection of essays, I readily include Jamie among those we most need to be reading.

A Tragic History. Its Legacy Still Troubled.

By Richard Goodman   |  April 1, 2020
Imagine my delight in finding that Siberian Exile, by Julija Šukys, about the search for her grandparents’ past, weighs in at a mere 166 pages. What I didn’t know was that even in such a brief book about her grandparents’ fates in war-torn Lithuania and Siberia, there is a Gordian knot of drama, pain, loss, and speculation. I don’t think 166 pages can be more complex than they are in Siberian Exile. This is both exciting, enlightening, harrowing, and frustrating for the reader.

Their Home Is Not Here

By Lindsay Hickman   |  March 2, 2020
The Ungrateful Refugee is a perfect title; readers may feel Nayeri’s inner demons waging a war of gratefulness for the endless opportunities her citizenship in the United States has brought her as well as for the memories, roots, and customs her new status has taken away, particularly a close relationship with her father in Iran.

Make Present the Experience of the Other: Three Memoirs of Political Witness

By Glen Retief   |  February 9, 2020
Memoir has, of course, never carried the cachet of poetry. Yet like the poetry or fiction of witness, the outward-looking, politically engaged memoir and essay have a rich and respected literary pedigree, including slave narratives (the predominant form of African-American literature until the twentieth century); Mark Twain’s pamphlet about the genocide in the Congo Free State; James Baldwin’s and George Orwell’s searing dissections of racism and colonialism; Ivan Turgenev’s descriptions of Jean-Baptiste Tropmann’s execution; and Mary McCarthy’s brilliant denunciations of American Stalinism, to name just a few.

Michael Steinberg: A Remembrance and a Review

By Thomas Larson   |  January 3, 2020
In December 2019, in a country torn apart by Donald Trump’s bullying and Fox News’ Pravda-like misinformation, in congressional hearings that traded in the ridiculous and the profound, in a democracy under such partisan assault it seemed to buckle before our eyes, and in the month of Trump’s impeachment, we were hit with grave news of another sort: creative nonfiction’s (and my) beloved colleague, mentor, and friend, Mike Steinberg, 79, died from pancreatic cancer, undiscovered until a week before he passed.

Feral Youth, Fast Cars, and Fraught Love

By Brandel France de Bravo   |  December 2, 2019
While billed as a memoir, Knock Wood, winner of the 2018 Dzanc Nonfiction Prize, is more akin to a theme-and-variations composition: Think love-child of early Bruce Springsteen and Bach’s Goldberg Variations. An acclaimed poet, Militello tells her story in twenty-nine discrete essays that mostly eschew chronology.

The Biology of Flesh and Bone

By Detrick Hughes   |  November 1, 2019
In To Float in the Space Between, Terrance Hayes writes, “One’s poetics should be liquid.” Before grabbing hold of that line, I had already dipped into this book’s structure, a dialogue between Hayes, Etheridge Knight’s life and his poetry, and interviews and stories by writers acquainted with Knight’s work.

Many Lives, Many Bodies

By Katy Major   |  October 7, 2019
Noble’s slim collection is teeming with ghosts of all shapes and sizes. However absent the hauntings therein may feel to her, to this reader they are vivid and immediate and bold, nestled in dreamlike prose.

One Word Says It All

By Jenna McGuiggan   |  September 7, 2019
Where—or what—is your hearth of hearths? Where is the place you feel most alive or connected? What is the thing that reminds you who you are and to what (or whom) you belong? In all the world, what do you call home? These are some of the questions that Annick Smith and Susan O’Connor pondered as they edited Hearth: A Global Conversation on Identity, Community, and Place.

Shapes Shifted, Senses Altered, Values Freely Wheeled

By Thomas Larson   |  August 2, 2019
There may be no more startling way to bait readers into an essay than this: “Is there a word for the unsettling sensation of sitting down on an unexpectedly warm toilet seat, because someone used it just before you and sat there for a good long while? Maybe something in German?” The author titles it: “FREUDENSCHANDE: PRIV(AC)Y,” that is “joyful-shame.” Using wilder “made-up” German compounds as section titles, she compares the “bowel mover” in the “public privy” to the commodious confessions of personal nonfiction, the emotional “shitshow” so many memoirists and essayists insist readers must sit with.

Evan Reibsome

July 20, 2019
Evan Reibsome is a veteran of the Iraq War, an Assistant Professor of American literature at Louisiana State University in Shreveport, and the Director of the Veterans Empathy Project.

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