Blog : Articles

Feral Youth, Fast Cars, and Fraught Love

By Brandel France de Bravo   |  December 2, 2019
While billed as a memoir, Knock Wood, winner of the 2018 Dzanc Nonfiction Prize, is more akin to a theme-and-variations composition: Think love-child of early Bruce Springsteen and Bach’s Goldberg Variations. An acclaimed poet, Militello tells her story in twenty-nine discrete essays that mostly eschew chronology.

The Biology of Flesh and Bone

By Detrick Hughes   |  November 1, 2019
In To Float in the Space Between, Terrance Hayes writes, “One’s poetics should be liquid.” Before grabbing hold of that line, I had already dipped into this book’s structure, a dialogue between Hayes, Etheridge Knight’s life and his poetry, and interviews and stories by writers acquainted with Knight’s work.

Many Lives, Many Bodies

By Katy Major   |  October 7, 2019
Noble’s slim collection is teeming with ghosts of all shapes and sizes. However absent the hauntings therein may feel to her, to this reader they are vivid and immediate and bold, nestled in dreamlike prose.

One Word Says It All

By Jenna McGuiggan   |  September 7, 2019
Where—or what—is your hearth of hearths? Where is the place you feel most alive or connected? What is the thing that reminds you who you are and to what (or whom) you belong? In all the world, what do you call home? These are some of the questions that Annick Smith and Susan O’Connor pondered as they edited Hearth: A Global Conversation on Identity, Community, and Place.

Shapes Shifted, Senses Altered, Values Freely Wheeled

By Thomas Larson   |  August 2, 2019
There may be no more startling way to bait readers into an essay than this: “Is there a word for the unsettling sensation of sitting down on an unexpectedly warm toilet seat, because someone used it just before you and sat there for a good long while? Maybe something in German?” The author titles it: “FREUDENSCHANDE: PRIV(AC)Y,” that is “joyful-shame.” Using wilder “made-up” German compounds as section titles, she compares the “bowel mover” in the “public privy” to the commodious confessions of personal nonfiction, the emotional “shitshow” so many memoirists and essayists insist readers must sit with.

Evan Reibsome

July 20, 2019
Evan Reibsome is a veteran of the Iraq War, an Assistant Professor of American literature at Louisiana State University in Shreveport, and the Director of the Veterans Empathy Project.

Grounded and Discomfited: Women in the West

By Ana Maria Spagna   |  July 2, 2019
Visit Whitman Mission National Historic Site outside of Walla Walla, Washington, on a fall day, and you see golden rolling hills against rich blue sky. Bright clouds float toward flat-topped ridges lined with windmills. The scenery stretches spacious and bucolic and belies the bloody past. Here, on November 29, 1847, Marcus and Narcissa Whitman, a doctor and his missionary wife, and eleven others were famously massacred. Five Cayuse Indian men were accused of the crime and hanged. News of the violence caused legislators in Washington D.C. to give the territory an official name, Oregon, and to assign a provisional governor who immediately declared war on the Cayuse Nation. In I Am a Stranger Here Myself, winner of the 2017 River Teeth book prize, Debra Gwartney revisits this history.

Keeping Connected to the Natural World

By Robert Root   |  June 3, 2019
Most days my wife and I read a book aloud at dinnertime and we each read a book silently at bedtime. Sometimes one book reverberates with the other, cumulatively expanding our consciousness. That happened when we read Hope Jahren’s Lab Girl together and I read Elizabeth Rush’s Rising over the same period.

Every Time I Read Him, I Feel Smarter

By Judith Sara Gelt   |  May 4, 2019
"Rather than clone what has already been documented—tweets and news reports, from right-leaning and left-leaning sources—Shields racks up an alternative collection of sources to support his thesis. This wide range of quotable material is, in part, what has me turning the pages..."

Resisting the Bright Shining Epiphany

By Tarn Wilson   |  April 1, 2019
Karen Babine's All the Wild Hungers captures the disorientation we feel when faced with this most ordinary, yet extraordinary, of shocks: the mortality of those dearest to us. These short, meditative essays span the eight months of her mother’s recovery from embryonal rhabdomyosarcoma, a rare cancer.

Editor's Notes 20.2

By Joe Mackall   |  March 20, 2019
When my children turned twenty-one, I wrote each of them a letter.... I knew that although my children were still mine and, of course, always would be, they were entering the world as adults; and forevermore I would have to share them with the world in a way that left me excited and proud, but also anxious and wary. This moment in the life of River Teeth feels a bit like that...

The Limits of Ownership, The Vagaries of Possession

By Jessie van Eerden   |  March 1, 2019
Sarah Viren's debut collection explores the concept of ownership. It begins with an essay on the ownership of material goods--the narrator's landlord lends her the furniture that belongs to a man on trial for murder. The essays that follow ask what it means to own one's body, one's family members, one's language, even one's story that is inextricably intertwined with the stories of others.

Blamed No More

By Ann Piper   |  February 7, 2019
Heartland, by journalist Sarah Smarsh, already a nonfiction finalist for the 2018 National Book Award and the Kirkus Prize, is a multigenerational account of a hardworking family caught in the systemic forces that perpetuate the unknown and disdained Americans who are sometimes called "white trash."

It's Not Marriage. It's the Husbands.

By Eric Farwell   |  January 2, 2019
In her debut memoir, For Single Mothers Working as Train Conductors, Laura Esther Wolfson, an American essayist and Russian translator for the PEN World Voices Festival, has written a complex book about three interacting subjects: her Jewish heritage, marriages to two Russian men, and her difficulties as a translator of Russian literature....

Making Violence Holy

By Thomas Larson   |  December 3, 2018
A dialogue review by Renee E. D'Aoust and Thomas Larson...

Editor's Notes 20.1

By Dan Lehman   |  November 20, 2018
A few issues ago, this space discussed the dangers of what some have termed "me-moir": nonfictional self-absorption in an era increasingly dominated by noisy narcissism. We suggested that genuine empathy is a ready antidote and and that such other-centeredness might help us not only reach outward for our topics, but even more importantly, help to coax deeply personal stories toward genuine connection. The secret, we suggested, was...

The Thrill of Narrative Incompleteness

By Jessica Handler   |  November 1, 2018
At first glance, the photographic record of Black River Falls, Wisconsin, shows an average town for the time, from 1890 to 1910....

Chucking Hail Marys from the Throw Line: On Failing to Define the CNF Chapbook

By Penny Guisinger   |  October 4, 2018
I'm pretty sure that the day Thomas Larson asked me to write a review of creative nonfiction chapbooks was the same day I said to a room full of people at AWP, "I don't know what a chapbook is."

A Failing Body Summons a Restless Mind: A Polio Memoir

By Katharine Coldiron   |  September 1, 2018
Sandra Gail Lambert is not interested in being anyone's inspiration. If this review called her memoir in essays, A Certain Loneliness, inspiring, the author would recoil....

One Reader's Homage to Two Dogeared Authors

By Robert Root   |  August 1, 2018
The next time you stop by my house, ask to see my copy of Patricia Hampl's The Art of the Wasted Day, her most recent book. You may not know that long ago, feeling guilty about writing in the margins of books, I began dogearing pages where the author wrote something I hoped to remember....

A Mother's Tale, An Enabled Son, The Damage Done

By David MacWilliams   |  July 1, 2018
Meg McGuire's memoir explores addiction, mental disorder, denial, guilt, and the destructive effects of a parent's love....

Rooted and Reaching

By Sarah Wells   |  June 1, 2018
My yoga instructor calls it “rooted and reaching,” that connection between the earthly and the sacred. I am here, even though somewhere in the past, if you’d asked me to shift into downward dog, I would have warned of some foreign demon taking residence in this Christ-saved jar of clay....

Art and National Identity

By Doug Rutledge   |  May 2, 2018
As her title confirms, Vigderman’s primary concern is the Parthenon. The history she offers of this culturally significant site is enlightening.

Editor's Notes 19.2

April 3, 2018
Spread the word and shop for the birthday gifts! River Teeth: A Journal of Nonfiction Narrative is a teenager no longer! Our nineteenth volume closes with the issue you hold or are reading onscreen...

Houses of Injury and Healing

By Sarah Cheshire   |  April 1, 2018
As the curator of Beautiful Flesh, G'Schwind’s self-proclaimed mission is "to create a body" that weaves individual stories together, forming a larger narrative.

The Heart He Hearts Aching Inside Him

By Elizabeth Dark   |  March 7, 2018
A hybrid of poetry and prose, Lemon’s Feverland reads nothing like a chronological narrative. Rather, it’s a fully choreographed set of movements that, in their abrupt turns, mimic the abrupt moments, episodes, and periods of Lemon’s life.

Of Poets, Police Dogs, and Their Handlers

By Amber Anderson   |  February 6, 2018
In a journey through four countries, pursuing canine law enforcement units and their stories, Rose delivers a multi-faceted immersion memoir: observations, interviews, analysis, criticisms, and praise of how different nations approach policing with and without dogs.

The Country Cousin to Love

By Katy Major   |  January 9, 2018
When a friend of Kate Carroll de Gutes remarked about how often the positive aspects of others' lives are mentioned on Facebook, as opposed to the negative, de Gutes, in the essayist's quintessential way, got to thinking. What her musings sparked is The Authenticity Experiment...

Slim & Sublime

By Renée E. D’Aoust   |  December 1, 2017
In On Writing Well: The Classic Guide to Writing Nonfiction, William Zinsser extols the memoir form: "For me, no other nonfiction form goes so deeply to the roots of personal experience--to all the drama and pain and humor and unexpectedness of life."

The Dead Baby Lives

By Marilyn Bousquin   |  November 9, 2017
Jennifer Sinor's birth, which is anything but ordinary, sets up the thematic trajectory of Ordinary Trauma, a coming-of-age memoir that doubles as a father-daughter story...

20-2 (15)

20.1 (1)

a certain loneliness (1)

alex lemon (2)

ann piper (1)

ball state (1)

bernard grant (1)

beth ann fennelly (1)

bj hollars (1)

blinded by hope (1)

book review (67)

chapbooks (1)

devotional (1)

draft #4: on the writing process (1)

eric farwell (1)

feverland (1)

for single mothers working as train conductors (1)

heartland (1)

heating & cooling: 52 micro-memoirs (1)

in defense of monsters (1)

jennifer sinor (2)

jessie van eerden (1)

jo scott-coe (1)

john mcphee (1)

kate carroll de gutes (1)

kindling (1)

laura esther wolfson (1)

lisa laughlin (1)

mass: a sniper a father and a priest (1)

meg mcguire (1)

memoir (2)

michael lesy (1)

neglected nonfiction classics (4)

ordinary trauma (1)

patricia hampl (1)

patricia vigderman (1)

puzzle pieces (1)

rachel rose (1)

randon billings noble (1)

robert root (3)

sandra gail lambert (1)

sarah smarsh (1)

the art of the wasted day (1)

the long weeping: portrait essays (1)

the real life of the parthenon (1)

thomas larson (2)

transition (1)

wisconsin death trip (1)

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